1. Texas Tornados - Laredo Rose - Texas Tornados Definitely a curveball addition to the League of SuperGroups, this project brought together Doug Sahm, Freddie Fender, Flaco Jimenez and Augie Meyers for an accordion-heavy brand of Tex-Mex that sounds just about as perfect as it could be. Known mostly for "(Hey Baby) Que Paso?" it's a surprisingly strong album, and in my mind a one-of-a-kind treasure.
2. The Sundays - Can't Be Sure - Reading, Writing And Arithmetic I had to backtrack on the Sundays, after getting mesmerized by the amazingly sunny Brit-pop of 1997's Static And Silence. And there was certainly a lot more to the band, as this debut album shows. With Harriet Wheeler on vocals, The Sundays come across more as a female-fronted U2 than anything else that was being recorded at the time. The Wikipedia entry simply calls Wheeler's voice "dreamy," and on this single its absolutely true.
3. Pixies - Havalina - Bossanova The Pixies third album is almost as great as the band's second, which is in itself a remarkable achievement, but the band's strengths show up everywhere. I was never a fan of "Havalina," which closes the album, but hearing it on shuffle, stripped from the rest of the album, it's a fantastic, laid-back tune, once again catchy as hell, with Frank Blank repeating "Havalina" over and over. And hey, it's about Arizona...
4. Public Enemy - Meet The G That Killed Me - Fear Of A Black Planet I never had any of the Public Enemy records when I was younger, so all I knew were the "hits." Even in 44 seconds, this is a band that sounds unstoppable.
No comments:
Post a Comment