Whirlwind

Out-of-town work excursions should always be so damn awesome. Last Tuesday I jetted to the Unholy Valley of the Sun, met up with the Factor and jetted for the scuzziest nightlife we could find in a strip mall.
Wednesday after working I hit the road for the Great North to see Wilco at Flagstaff’s Orpheum, a make up for the previous year’s rehab-based cancellation. (It’s more than a minor sore point that another of last year’s rehab-cancelled shows at our fair Rialto was not also rescheduled.)
I met up with Stu LeBlanc and the Short People at Flag Brew for dinner and then into line, where Stu told of strange end-of-days prophesy and mentioned something about 90 percent of the universe’s matter being mission.
The show was incredible, as were the two I caught in November. For having gone more than seven years since the first time I saw Wilco, I sure as hell made up some shows in a hurry.
I’ll reiterate now the fact that Wilco is without question the best band playing these days, both in terms of studio records, live shows and general commitment to the independent spirit and power of rock ‘n’ roll. Each album is awesome, each in its own sense groundbreaking and I’m sure they’ll continue putting out quality material if for no other reason than Jeff Tweedy’s writing just keeps getting better.
The show leaned heavy on The Ghost is Born and Yankee Hotel Foxtrot, but we got a treat of two Mermaid Avenue 2 songs. Tweedy seemed a bit peeved, hurling his guitar at an amp before one encore and he appeared to steal someone’s camera. It kinda upset me that people kept taking flash pictures during the show, despite firm warning against such practice at the door and somewhat diligent security. I had my digicam in my pocked by forgetfulness more than anything, but didn’t touch it. I’d never flash a band and I know the quality of low light photography anyway. But Tweedy appeared to lean forward and motion for some front row person’s camera, and I swear I saw him walk off stage with it. Anyway.
Back to the Valley and the hospitality of the Factor and one down to Tempe Thursday morn.
Afterwards, I reassembled the Factor, the Short People and threw in Mr. Chair and we crossed the River to the Marquee, to see Calexico and Neko Case. Incredible once again. Neko Case blew me away with singing and hotness and Calexico brought out the full mariachi band, which I hadn’t seen in ages. If Wilco is the best band playing these days, Calexico is an infinitely close second, again in terms of both recordings and live performances. And Calexico has the oddly additive quality of being more or less a studio backing band as well. They do make everybody better, including Neko Case.
Another brilliant night, then back to sleep, back to Tempe, then back to Tucson to finish up the week’s work.
And what did Friday hold? Only the SICK Festival (Southwestern Intergalactic Comedy Kermis). The Secret Show opened with a short but really good set, Darwin disappointed, New Kevin was super wacky, Comedy Corner had a great Hell-themed cycle of sketches that included the grossest Scooby Dooby joke I’ve ever heard, and Demitri Martin had so many damn jokes I keep remembering them one by one ever since.
Only two frustrating text messages marred the night, which continued after the festival with the usual party and eventually I concluded what had turned into a rather confusing 22-hour day.
Not to be outdone, Saturday continued rocking. Caught the Hitchhiker’s Guide to the Galaxy, then went Downtown for a Secret Show special, which concluded with a bit about alligators I so helpfully suggested.
Then back to the house for a great party – friends from long ago, bellies full of laughs and a groundbreaking adventure for at least one of the housemates.
On top of everything, over the last few days I’ve spoken to two long-lost friends and seem to be parting ways with other company.
And talking in vague terms. A lot.